Produced and written by Janjua, Larson, Phillips, and Rai
Sequence 8012 2003 Did not make pop charts.
569. GALANG, M.I.A.
Produced by South Rakkas Crew, written by Maya Arulpragasm, Justine Frischmann, Steve Mackey, & Ross Orton
XL 41199 2003 Did not make pop charts
Bhangra rules! Proof that pop culture is always more complicated than it looks.
2003 was the height of popular American anti-Arabism, anti-Asianism and (let's be honest) anti-"Orientalism." Everything, anything, and anyone south of Russia and west of Laos was suspect in the eyes of most U.S. citizens, so it only makes sense that Sikh backing tracks were the rage that year not in the U.S. but in Tony Blair's Britain. Missy Elliott’s “Get Ur Freak On” had had a slightly similar sound two years before, but in these two cases the toasters had actual roots in the Indian subcontinent. Hip-hop has been top-down global since the late 1980s, but this was one of the few moments when what might formerly have been a local sound traveled into the pop mainstream in a Western country (and the pop underground in the U.S.), rather than having the corporate voice of hip-hop move in the other direction.



Dissent was pretty rare stateside in the Shock and Y'Awl world of 2003. In a time and a place where a Sikh was pulled from a train and beaten because idiots thought he was a Muslim, maybe chillin to Panjabi MC was a political act. At least, it was a start. And no, now that you mention it, it don’t stop.
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